Perugia Press, founded in 1997, is a nonprofit press that publishes one beautifully designed book each year: the winner of the Perugia Press Prize, our annual national contest for first or second books of poetry by women. Our mission is to support and promote women’s voices in print, and we aim to expand the audience for poetry by making books that welcome longtime readers of poetry and those new to poetry. We celebrate and promote our poets, and poetry, whenever we can, through social media, and at local, regional, and national book fairs, readings, and events. We also maintain resources for educators who would like to incorporate our books into their curricula. Read our 2021 Annual Report here.
At Perugia Press, we are doing our part to tip the scales of gender inequity in poetry into balance. Our books have won many acclaimed post-publication prizes, including the James Laughlin Award/Academy of American Poets, the L. L. Winship/PEN New England Award, the PEN Center USA Award, and the Publishing Triangle Audre Lorde Poetry Prize, among others.
77%
men
23%
women
88%
men
12%
women
62%
men
38%
women
73%
men
27%
women
“Perugia Press has been quietly building an extraordinary list of poets and publishing them in beautiful books. The future of American poetry literally depends on this kind of dedication and effort.”
Chase Twichell
Rebecca Olander took the helm at Perugia Press in 2016, after serving as a longtime volunteer reader, judge, and board member. She also teaches writing at Westfield State University. She holds an MFA in Poetry from Vermont College of Fine Arts. She has published a chapbook, Dressing the Wounds (dgp, 2019), and a full-length collection, Uncertain Acrobats (CavanKerry Press, 2021).
Susan Kan is the founder and former director of Perugia Press. She holds an MFA in Creative Writing from the Warren Wilson Program for Writers. She has been reading poetry since she could read Dr. Seuss. She enjoys creative projects and volunteering with the Center for New Americans, the Welcome Home Refugee Resettlement program, and Happier Valley Comedy Theater.
Jean Blakeman is a poet and editor. Her poems have appeared in Silkworm, Compass Roads, and 56 Days of August. She was a longtime board member of Center for New Americans, an adult education center supporting the immigrant, refugee, and migrant communities in Western MA, where she served in officer roles and on the advisory committee for its annual “30 Poems in November!” literary fundraiser. In addition to poetry, her interests include knitting, swimming, and baseball.
Amy Dryansky’s second poetry collection, Grass Whistle (Salmon Poetry), received the MA Book Award. Her first book, How I Got Lost So Close to Home, won the New England/New York Award from Alice James Books. She holds an MFA in Poetry from Vermont College of Fine Arts and has received fellowships/honors from the MA Cultural Council, MacDowell Colony, and Bread Loaf. She teaches creative writing and works as a grant writer for a conservation organization.
Arya Samuelson won CutBank‘s Montana Prize in Non-Fiction awarded by Cheryl Strayed. Her writing has appeared in Columbia Journal, New Delta Review, Entropy, The Millions, and elsewhere. She teaches online writing workshops with Pioneer Valley Writers Workshop, LitReactor, and through her own writing platform, Writing as Ritual. She holds an MFA from Mills College in Prose and works as Director of Development & Communications at Pioneer Valley Workers Center.
Sharon Tracey is the author of the poetry collections Land Marks (Shanti Arts, forthcoming), Chroma (Shanti Arts, 2020) and What I Remember Most Is Everything. Her poems have appeared in The Worcester Review, Mom Egg Review, The Ekphrastic Review, and elsewhere, and she is on the editorial team for Silkworm. She served as a director of research communications and environmental programs at UMass Amherst and holds an MPP from the University of California Berkeley.
Beverly Army Williams is a writer, multi-media artist, freelance editor, grant writer, and writing teacher at Westfield State University. Her work has appeared in The Dandelion Review, Knitty.com, Interweave Crochet, and Project 333, among other places. She is co-founder and co-editor of the webzine MotherShould.com, “where being on the fence about motherhood makes sense.” She holds an MFA in Creative Writing from the University of New Mexico.
Lynne Thompson’s Beg No Pardon won the Perugia Press Prize in 2007 and the Great Lakes Colleges New Writers Award in 2008. She’s also the author of Start With A Small Guitar (2013) and Fretwork (2019), winner of the Marsh Hawk Poetry Prize. Among other awards, Thompson received an Individual Artist Fellowship from the City of Los Angeles. Thompson serves on the boards of Cave Canem and the Los Angeles Review of Books and is Chair of the Board of Trustees, Scripps College.
