Emerging BIWOC Poet Spotlight: Saba Keramati

This monthly series features poems by women of color in the early stages of their publishing careers. It is our intention to create more space at Perugia for the work of poets who are Black, Indigenous, and women of color (BIWOC). We hope using our platform to highlight this work will expand the readership of the poets we spotlight. This series aligns with Perugia’s mission to celebrate and support emerging women poets, inclusive of gender-expansive identities; featured poems will be from poets with no more than one published full-length collection. We’d love to hear from readers with suggestions for poems & poets to feature.

Ars Poetica Ghazal

Open the way a door opens:
away from me. Like the mouth of a river opening,

softly against the rocks, its own babble enough.
The way a swallow chirps, so open

and sharp against the sky. The way I yawn
when I think of a yawn, instinctive and thus open.

Before I speak I must admit poetry
will not change the world. I entreat an opening

without force. In the face of such suffering,
I name: I can only own my open

mouth and the deed to my own thinking.
I think myself alive and so I am. So I open

against authority, to think I matter. O,
with three names in my mouth, I open.

Source

Self-Mythology, University of Arkansas Press, 2024

Poet bio

Saba Keramati is a Chinese-Iranian writer from California. She is the author of Self-Mythology (University of Arkansas Press, 2024), selected by Patricia Smith for the Miller Williams Poetry Series. Her work appears or is forthcoming in Lit HubKenyon ReviewThe Rumpus, and other publications. She is the poetry editor for Sundog Lit.

To learn more about Saba Keramati, visit her website.